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It is an hour later. Afternoon draws towards evening, yet one scarcely feels the change. It is sultry, drowsy, warm, and full of a "slow luxurious calm.",

"It is not a bad name in Ireland. There are very good people of that name: the Vincent Scullys,—everybody has heard of them," says Violet, gently. But her friend will not consent to believe anything that may soften the thought of Mona. The girl has entrapped her son, has basely captured him and made him her own beyond redemption; and what words can be bad enough to convey her hatred of the woman who has done this deed?,

Soon they heard another person shouting out the feast call, and, going, they entered the lodge of the chief of the Kit-Foxes (Sĭn´-o-pah). Here, too, old men had gathered. After they had eaten of the food set before them, the chief said, "Those among whom you have just come are generous. They do not look carefully at the things they have, but give to the stranger and pity the poor. The kit-fox is a little animal, but what one is smarter? None. His hair is like the dead grass of the prairie; his eyes are keen; his feet make no noise when he walks; his brain is cunning. His ears receive the far-off sound. Here is our medicine. Take it." He gave the man the stick. It was long, crooked at one end, wound with fur, and tied here and there with eagle feathers. At the end was a kit-fox skin. Again the chief spoke and said, "Listen to our song. Do not forget it, and the dance, too, you must remember. When you reach home teach them to the people." He sang and danced. Then presently his guests departed.,

Only as Mrs. Geoffrey makes her final curtesy, and Geoffrey, with a laugh, stoops forward to kiss her lips instead of her hand, as acknowledgment of her earnest and very sweet performance, thereby declaring the same to have come to a timely end, do the new-comers dare to show themselves.

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"I'm off, miss," says the miscreant, and, true to his word, darts through the hedge again like a shaft from a bow, and, scurrying through the fields, is soon lost to sight.,

"You are right: I see it now," says Geoffrey, whitening a little, "Warden wrote that paper, no doubt," glancing at the dirty bit of writing that has led to the discovery. "He evidently had his knowledge from old Elspeth, who must have known of this secret hiding-place from my great-grandfather. My father, I am convinced, knew nothing of it. Here, on the night of my grandfather's death, the old woman must have hidden the will, and here it has remained ever since until to-night. Yet, after all, this is mere supposition," says Geoffrey. "We are taking for granted what may prove a myth. The will may never been placed here, and he himself——",

At this point the house comes in view, and conversation languishes. The women give a small touch to their furs and laces, the men indulge in a final yawn that is to last them until the gates of Anadale close behind them again.,

"You will come first and see Philippa?" she says, in a slow peculiar tone that sounds as if it had been dug up and is quite an antique in its own way. It savors of dust and feudal days. Every one says he or she will be delighted, and all try to look as if the entire hope of their existence is centred in the thought that they shall soon lay longing eyes on Philippa,—whose name in reality is Anne, but who has been rechristened by her enterprising sister. Anne is all very well for everyday life, or for Bluebeard's sister-in-law; but Philippa is art of the very highest description. So Philippa she is, poor soul, whether she likes it or not.